Chastity Belt @ 191 Toole
Presented by The Rialto Theatre

Chastity Belt @ 191 Toole

Performers:
Chastity Belt
Loose Tooth
$12.00
All Ages
7 PM Doors | 8 PM Show | 21+

Chastity Belt

Chastity Belt’s energy is like a circuit, circling around the silly and the sincere. Tongue-in-cheek shit-shooting and existential rumination feed into each other infinitely. Theirs is a long-term relationship, and that loop sustains them. That’s a creative thesis in and ofitself, but isn’t that also just the mark of a true-blue friendship?

The band talks a lot about intention these days—how to be more present with each other. The four piece—Julia Shapiro (vocals, guitar, drums), Lydia Lund (vocals, guitar), Gretchen Grimm

(drums, vocals, guitar) and Annie Truscott (bass)—is nine years deep in this, after all. It seems now, more than ever, that circuit is a movement of intentionality, one that creates a space inside which they can be themselves, among themselves. It’s a space where the euphoria of making music with your best friends is protected from the outside world’s churning expectations. It’s a kind of safe zone for the band to occupy as their best selves: a group of friends who love each other.

Their fourth record, Chastity Belt, comes out of that safe space. After a restorative few months on hiatus in 2018, each member worked on solo material or toured with other bands. “So much of the break was reminding ourselves to stay present, and giving ourselves permission to stop

without saying when were gonna meet up again,” says guitarist Lydia Lund. “It was so important to have that—not saying, ‘we’re gonna get back together at this point,’ but really just open it up so we could get back to our present connection.”

Their experience navigating adult life within the strange seasons of the music industry has Chastity Belt orienting themselves towards whatever gets them to feel the most present with each other, in any part of the band grind. With the luxury of spending several weeks in the studio with Jay Som’s Melina Duterte, Chastity Belt was able to experiment. The new self-titled album is the work of the band playing “Old songs, and trying new things on top of it,” like adding more dynamic harmonies and violin, says bassist Annie Truscott. Lydia, Gretchen, and Julia all share lead vocals on different tracks on the album. The result is their most sonically developed and nuanced record yet; one that’s not only a product of, but a series of reflections on what it means to take what you need and to understand yourself better.

Many of Chastity Belt’s signature dynamics, from the silly to the sincere, have read as feminist gestures: the Cool Slut DGAF-iness, the shrugging off of the “women in rock” press gargle, the fundamentally punk act of creating music on your own as a woman, and being lyrically forthright. What the making of Chastity Belt reveals is that the band has tapped into a deeper tradition of women making art on their terms: the act of self-preservation in favor of the long game. In favor of each other. In this cultural moment, taking space like this to prioritize the love over the product seems progressive. Chastity Belt’s intentions have resulted in an album deeply expressive of four people’s commitment to what they love most: making music with each other.

Loose Tooth

With Keep Up, Melbourne three-piece Loose Tooth have inked their impeccable ear for a hook on a fresh sonic palate; the howling guitars of their first EP Saturn Returns peeled back to foreground the striking to and fro of the band's distinctive vocalists. That's three for three - Etta Curry (drums, vocals), Luc Dawson (bass, vocals, guitar, keys), and Nellie Jackson (guitar, vocals) - long time friends with a democratic approach to both songwriting and influences.

Where Saturn Returns was squared in youthful abandon, the band's debut album is the hangover; recognising a tension between keeping up in a shifting landscape of necessity and staking out your own version of happiness as you wave goodbye to your golden twenties.

Raised on the holy trinity of soul, country and Eddy Current, their debut LP is a living reminder that the B-52's used to be a punk band and the light hasn't gone out on the storied shores of St Kilda.

  • RBAR TUCSON
    191 Toole
  • Bookmans Entertainment Exchange
  • LATEST DEVELOPMENTS
  • The Rialto Theatre
    318 E. Congress St.
    Tucson AZ 85701

    Box Office : M-Sat noon-6pm

    (520) 740-1000

  • The Rialto Theatre Foundation is a 501(c)(3) non-profit organization dedicated to the stewardship and preservation of the historic Rialto Theatre, a unique entertainment venue and cornerstone of downtown Tucson, offering a broad range of high-quality performing arts that are reflective of the diverse and vibrant community it serves.