Indigo Girls SOLD OUT

The Rialto Theatre Presents

Indigo Girls SOLD OUT

Lucy Wainwright Roche

Aug 13 Sat

Doors: 7:00 pm / Show: 8:00 pm

The Rialto Theatre

$32.00 - $52.00

Sold Out

Reserve Seated: Specific assigned seats for each ticket sold.

Indigo Girls
Indigo Girls
Never ones to rest on their laurels, Indigo Girls embarked on a bold new chapter in 2012, collaborating with a pair of orchestrators to prepare larger-than-life arrangements of their songs to perform with symphonies around the country. It was a challenging endeavor, to say the least, but the GRAMMY-winning duo managed to find that elusive sonic sweet spot with the project, creating a seamless blend of folk, rock, pop, and classical that elevated their songs to new emotional heights without sacrificing any of the emotional intimacy and honesty that have defined their music for decades. Now, after more than 50 performances with symphonies across America, the experience has finally been captured in all its grandeur on the band’s stunning new album, ‘Indigo Girls Live With The University of Colorado Symphony Orchestra.’

Recorded in front of a sold-out audience in Boulder, CO, and deftly mixed by GRAMMY- winner Trina Shoemaker (Sheryl Crow, Emmylou Harris), the record showcases Indigo Girls at their finest: raw, real, and revelatory. Spanning material from throughout the band’s career, the 22-song set features a mix of reimagined classics, unexpected deep cuts, and tracks from their latest studio album, ‘One Lost Day.’ Backed by the symphony, Amy Ray and Emily Saliers’ voices are both powerful and delicate, their intertwined harmonies riding high on the crest of an emotional tidal wave created by Sean O’Loughlin and Stephen Barber’s dazzling arrangements. The orchestrations are as richly cinematic as a film score (think John Williams rather than J.S. Bach), and the 64-piece symphony wrings every ounce of passion from them, helping to bring the band’s evocative storytelling to more vivid life than ever before.

There’s an unmistakable sense of community and inclusion on the album, in part because that’s a hallmark of every Indigo Girls show, but also in part because Ray and Saliers considered themselves pieces of the orchestra for the performance, no more and no less important than any other artist on the stage. That pursuit of unity, both in music and in life, has been an Indigo Girls calling card ever since they burst into the spotlight with their 1989 self-titled breakout album. Since then, the band has racked up a slew of Gold and Platinum records, taken home a coveted GRAMMY Award, and earned the respect of high profile peers-turned-collaborators from Michael Stipe to Joan Baez. NPR’s Mountain Stage called the group “one of the finest folk duos of all time,” while Rolling Stone said they “personify what happens when two distinct sensibilities, voices, and worldviews come together to create something transcendently its own,” and The New York Times raved that “gleeful profanities, righteous protest anthems and impeccable folk songwriting have carried this duo for thirty years.”
Lucy Wainwright Roche
Lucy Wainwright Roche
“Lucy Wainwright Roche's clear, steady voice feels like a beacon of sorts, slicing straight through the room” - The New York Times

“Sincere and raw...Roche’s bittersweet voice leaps out; she paints an indelible image” - NPR


Lucy Wainwright Roche
There’s A Last Time For Everything

Set out to explore indie singer-songwriter Lucy Wainwright Roche, and you'll discover her unforgettable voice, smart, arresting songwriting, and her stellar stage presence. If you dig a little deeper, you'll find an artist with a colorful musical pedigree who is expanding her sound with an ambitious new recording, There’s A Last Time For Everything. Lucy Wainwright Roche is hell-bent on creating a meaningful career in this post-music business era.

Born into a musical family in Greenwich Village, NYC, Lucy Wainwright Roche is deeply steeped in the musical world. In addition to her parents (Loudon Wainwright III and Suzzy Roche of The Roches) and her siblings, (Martha and Rufus Wainwright), Lucy's various aunts, uncles and cousins are all musicians. After a childhood of touring in vans and hanging out backstage at clubs and theaters around the country, Lucy went off to college and grad school –– a twist on the classic rebellion –– and became a school teacher in NYC. In 2005, on a whim, she spent a few weeks out on the road with her brother Rufus, which in turn reignited her deep connection to life on the road. Shortly after, Lucy left her teaching job to pursue music full time.

Fast forward to 2013. With two EPs (8 Songs and 8 More) and one full-length album entitled Lucy (2010) under her belt, she’s traveled thousands of miles, and armed with a just a guitar and a huge angelic voice, she’s performed solo and with countless musicians from Neko Case to the Indigo Girls in the United States and abroad.

There's a Last Time For Everything was recorded in Nashville with her friend, collaborator and producer, Jordan Brooke Hamlin. Hamlin and Roche worked together to create a dreamy landscape for the album's 11 tracks. Lucy's distinct voice and dead-on songwriting serve as the centerpiece of this rich tapestry. After 10 days in the studio, the entire album was recorded and ready for post-production.

"Jordan and I crafted these tracks over long summer days that stretched into late, late nights," says Roche. "We were gloriously swept up in the process, like kids working on a secret project. Because we were working with a limited time frame, we went with out gut on every decision. There wasn't time for us to second guess or retrace our steps. The urgency of working that way was exciting and freeing - and also a little bit terrifying”
– LWR

There's A Last Time For Everything includes musical performances from an array of musicians from Chris Donahue (Emmylou Harris, Collective Soul) to Allison Miller (Brandi Carlile, Natalie Merchant) as well as several appearances by guest singers who hail from various ends of the troubadour world.
Colin Meloy (The Decemberists) adds harmonies to "Seek And Hide," which Lucy wrote while watching a man walk up and down the block outside of her building one afternoon, and is the album's upbeat and fleshed out second track.

Roche recalls, "It was a song that I wrote kind of mysteriously - and about a stranger. I knew that I wanted a male voice that was very distinctive to join me on that song. My very first choice was Colin and although I don't know him well, he graciously agreed to sing on the track and really hit the nail on the head and added just the touch I was hoping for."

The album also includes a precise and expertly executed harmony part sung by Mary Chapin Carpenter on the lilting duet, "A Quiet Line.” Both Lucy and Mary get to demonstrate their gift for harmony singing on this track.

Robby Hecht lends his soulful, meditative voice to the final track on the album, "Under The Gun." Also featured on this track, is a mournful clarinet line played by producer Jordan Hamlin.

The song "Last Time" (from which the album gets it's title) is an exploration of the way a relationship changes over time, and the pain and resignation that go hand in hand with those changes. In it's sadness, the track has a playful quality to it

"We had fun building the track for that one - we recorded zippers zipping, spoons clanging, empty yogurt containers filled with beans shaking, anything we could find. We liked the idea of cobbling together the percussion from various objects around us."

There is one cover song on the record: a reinvention of Robyn's dance hit "Call Your Girlfriend.” Roche and Hamlin’s version is stripped down to voice and guitar and fleshed out with harmonies, making it strikingly different from the original.

After the whirlwind recording process, a couple of weeks were spent in post production where Hamlin and Roche continued to fine tune the tracks with the help of additional recording and mixing by Grammy winning Producer Stewart Lerman, who also recorded and produced Lucy's first three recordings. Joshua Moore handled editing and mixing.

"By the end of recording, I was sitting there with 11 tracks that I really loved and I need ask myself, 'How am I going to get this record heard'?

Knowing that she would be working without a record label, Lucy set out to find a way to finance the album and publicize it.

"I thought a lot about doing a kickstarter campaign to raise the funds but I worried that people are burnt out from all the fundraising that’s going on these days. I was interested in finding a slightly different approach."

In the end, Lucy decided on two strategies. The first, to offer the record for pre-order and include a few previously unreleased duets recorded by Lucy and her mother Suzzy. In the process of recording these extra tracks, the pair decided to continue recording an entire album, Fairytale and Myth, collaboration with the late great Rob Morsberger.

"It's amazing how having to think on your feet about funding one record can result in an entirely different recording coming to life."

Roche's second fundraising strategy was to offer house concerts – shows in private homes. The idea has proved very successful and has enabled Lucy to raise money for promotion and production.

"It's a great way to get to know your fans better," she says. "A real point of connection, because you're entering into their world and both parties are taking a chance, not totally sure how it will turn out. It's been a thoroughly rewarding way to raise money and it feels like a very equal exchange, which is something I like about it."
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