Yelawolf

Universatile Music & The Rialto Theatre Present

Yelawolf

Waylon & Willie

Aug 27 Mon

Doors: 7:00 pm / Show: 8:00 pm

The Rialto Theatre

$27 - $30

This event is all ages

Yelawolf
Yelawolf
Born December 30, 1979 in Gadsden, Alabama, Yelawolf spent much of his childhood in various locations around the southern United States, including Baton Rouge, Louisiana, Atlanta, Georgia, and Antioch, Tennessee. Atha is of Caucasian and Cherokee descent, and the name Yelawolf is a reference to his Native American roots.

Yelawolf is an avid skateboarder and made attempts at a professional skateboarding career but was forced to abandon it due to injuries. He began releasing mixtapes independently in 2007, and was briefly signed to Columbia Records in 2007, leaving the label the same year along with Kawan "KP" Prather.

In 2010 he appeared on the track "Down This Road" from Bizarre's third studio album "Friday Night at St. Andrews", and on Big Boi's first solo album "Sir Lucious Left Foot: The Son of Chico Dusty" track "You Ain't No DJ" which was produced by André 3000. Appearing on Paul Wall's fifth studio album "Heart of a Champion" track "Live It", which also featured Jay Electronica and Raekwon, which was produced by Travis Barker, as well.

In 2010, Yelawolf confirmed he had signed with Interscope Records, announcing that he is working in his debut studio album with the label, and that he had a desire to work with Eminem.

On July 2, 2010, Yelawolf told Rap-Up that he went to Eminem's Studio in Detroit, Michigan to meet him and record a track for Yelawolf's upcoming debut studio album titled "Trunk Muzik: 0-60", being his first project with a major label and set to be released at October 26 of the year under Ghet-O-Vision Entertainment/Interscope Records.
Waylon & Willie
STRUGGLE JENNINGS

Born Will Harness, this grandson of country music legend Waylon Jennings took on the moniker Struggle Jennings when beginning a rap career. Jennings‘ early tracks were often based around samples of his grandfather’s songs juxtaposed with eerie hip-hop beats as a backdrop for his intense and street-minded rhymes. While in the midst of growing his career and forming ties with other hip-hop figures such as Yelawolf, Harness came up on drug-related charges and went to jail in 2011. While incarcerated, his focus on his music sharpened deeply. During the course of a five-year sentence, Struggle saw the release of his 2013 debut album, I Am Struggle, and also had video footage taken in jail that resulted in a video for his single “Black Curtains,” as well as a documentary that told his strange and twisting story. Shortly after being released from prison in early 2016, he quickly released the Return of the Outlaw EP, priming fans for a sophomore album slated for release sometime in 2017.

JELLY ROLL

With his wealth of tattoos, Southern rapper Jelly Roll is an illustrated man. But the ink tells the story of who the onetime gangster was — not who he is now. Today, he is a reformed man, an underdog, a dedicated father to a little girl, an inspiration to
those who grew up hustling like him and, most of all, a groundbreaking artist.

“My tattoos are not a reflection of who I am at all,” says Jelly Roll. “But they’re a very good description of who I was. I never thought I’d be what I am now.”

Jelly Roll is at the fore of the country rap scene, distinguished by his edgy, lived-in lyrics (he first went to juvenile detention when he was only 14; prison soon followed) and a sound he calls “country, rock, white trash rap.” To be sure, it’s a unique hybrid, as informed by the Motown Jelly’s mother played him as a child as it is by the Nashville street rap he listened to in his teens. A gifted singer as well as rapper, to hear Jelly Roll perform songs like the R&B-flavored “Sunday Morning” and the Southern rock of “Bad Apple” is to believe that the county-rap genre is far from a novelty.

“My lyrics are very true to who I am. I’m very real, very honest, very straightforward and I’m in an industry where a number of artists are not,” says Jelly Roll, who was born and raised in gritty Antioch, Tennessee, just south of Music City. “I don’t hide
anything.”

Including his incarcerations for robbery and drugs. Surviving prison ultimately motivated Jelly Roll, an all-too-rare case of the system actually working. But it was when he met composer and producer Jared Gutstadt — aka Jingle Jared, who has worked with artists from Dierks Bentley and Lynyrd Skynyrd to Nas and Chiddy Bang — and his creative team the Jingle Punks that helped Jelly launch a proper career.

“He was a white rapper, and I thought, ‘I’ve seen that before,'” says Gutstadt. “But then I heard what he was doing. It was fresh, inventive stuff. I think he and I can create a new sound for Nashville.”

With the Jingle Punks creative force onboard, Jelly Roll is eager to explore his fresh direction via a new EP. Titled Sunday Morning after his popular day-after anthem, the project picks up where “Kid Rock left off,” Gutstadt says. Like Jelly Roll, it’s a combination of all the things that define a man: loving and leaving, winning and losing, and sinning and forgiving.

“Since I left prison, I don’t have the kinds of problems I used to have. I’ve changed and so my music is changing with me,” says Jelly Roll. “But the good news is my audience is growing with me too.”

And he’s excited for them, along with new fans, to hear his country, rock, whitetrash rap. “I’m excited for everyone to hear my music,” he says. “It’s real, it’s honest and, dammit, it’s fun.”