Doors 6:30PM | Show 7:30PM | GA Seated | All Ages | Public On Sale 1/10 11AM
ABOUT THE ARTIST With a voice as smooth as velvet, Samara Joy’s star seems to rise with each performance. Following her winning the 2019 Sarah Vaughan International Jazz Vocal Competition, she is currently recording her debut recording, which will feature Samara backed by the Pasquale Grasso Trio. Growing up in New York, music was a pervasive presence, due to the inspiration of her paternal grandparents, Elder Goldwire and Ruth McLendon, who led the well-known Philadelphia-based gospel group, The Savettes. Her father toured with the renowned Gospel artist Andrae Crouch, and her home was filled with the sounds of not only her father’s songs and songwriting process, but the inspiration of many Gospel and R&B artists, including Stevie Wonder, Lalah Hathaway, George Duke, Musiq Soulchild, Kim Burrell, Commissioned, and many others. “Although I didn’t grow up singing in church,” explains Samara, “I constantly heard my family singing inspirational music together, which instilled in me an appreciation for my musical lineage. Through musicals in middle school, I loved exploring the range of my voice and applying the different colors to fit the characters I played. Finally, during high school, I joined the choir at my church, eventually becoming a worship leader, singing three services a week for nearly two years. That was my training.” Samara’s first exposure to jazz was while attending Fordham High School for the Arts, where she performed regularly with the jazz band, eventually winning Best Vocalist at JALC’s Essentially Ellington competition. However, jazz wasn’t really her focus until the time came to choose a college. Wanting to attend a state school close to home, she picked SUNY Purchase, gaining acceptance into their acclaimed jazz program, with a faculty that includes many jazz masters (including Pasquale Grasso and drummer Kenny Washington, who both appear on her debut recording.) “My friends were all into jazz and started sharing their favorite recordings with me to check out. The turning point was when I heard both Sarah Vaughan’s version of ‘Lover Man’ and Tadd Dameron’s recordings featuring trumpeter Fats Navarro. I was hooked.” From this point, she began to pursue her jazz studies with an intense passion, eventually being named the Ella Fitzgerald Scholar and entering and winning the Sarah Vaughan International Jazz Vocal Competition. Although having only recently celebrated her 21st birthday, Samara has already performed in many of the great jazz venues in NYC, including Dizzy’s Club Coca Cola, The Blue Note, and Mezzrow, in addition to working with jazz greats such as Christian McBride, Pasquale Grasso, Kirk Lightsey, Cyrus Chestnut, and NEA Jazz Master Dr. Barry Harris. Samara's self-titled debut recording is slated for release on July 9 through Whirlwind Recordings. It presents her backed by the trio of guitarist Pasquale Grasso, bassist Ari Roland, and drummer Kenny Washington. Within the album's liner notes, veteran writer Will Friedwald comments that Samara Joy is “a fantastic collection of highly original new arrangements, beautifully sung by a rising talent, and a very impressive first album. People are forever using the word 'timeless' as if it were the greatest praise ever, but in a way, Samara’s voice and her music seem to belong to all time, like she’s connected to the entire history of jazz all at once - as if she were existing in every era simultaneously, she sounds both classic and contemporary.” Winning the Vaughan award was transformational for Joy. “I was suddenly on the jazz radar. It’s still bizarre to think of how fast things have progressed.” Since then, Joy has dug deep to discover her jazz roots, without losing sight of the innate simplicity that makes her sound shine. Her first album announces the arrival of a young artist destined for greatness.
This show has moved from the Playground to Rialto Theatre.All existing tickets for the Playground will be honored.
To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziploc bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.