To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.
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The Happy Fits’ third full-length is a massive leap forward for the New Jersey trio, who have already built a serious following with their energetic and electrifying pop-rock style. At once a showcase of rock-solid songcraft and gleeful experimentation, Under the Shade of Green is a deceptively bright opus that also zooms in on the anxieties and catastrophes of daily life while never losing its irresistibly hooky attitude.
Under the Shade of Green is the latest chapter in The Happy Fits’ impressive rise, dating back to their bonding in high school in 2012. Cellist Calvin Langman and guitarist Ross Monteith started playing covers together in earnest, and when Langman revealed some original songs he’d been working on, drummer Luke Davis came aboard to join in a creative genesis that would result in the Awfully Apeelin’ EP from 2016.
From the punchy “Dance Alone” to the serpentine riffs of “Do Your Worst,” Under the Shade of Green finds The Happy Fits unloading earworm after earworm—even as darkness looms, as suggested by the album’s cover of a pineapple covered in flaming money. “It’s a metaphor for what we are all seeing and not talking about enough,” Langman says, reflecting on the album’s overall arc. If these songs don’t make you feel alive—well, you might just want to check your pulse.